Gay Stick Up Artist Invades Britain

Hopefully this makes up for that time you sent us The Beatles and we sent you Elvis.

First off, a big welcome to those viewers from across the pond! On Monday, the BBC-2 will begin playing all five seasons of The Wire at "a late time slot." In light of this development, the British media has done some sporadic features with David Simon, Ed Burns, and other Wire related personalities.

The Guardian has a very nice interview with Simon this week (H/T: Baltimore Crime comments section). The interview primary focuses on Simon's (well known) distaste for the current media environment and laments that bloggers won't fill the hole left by collapsing corporate media empires. While Simon's thoughts, nor the article's retread of various media arguments and ideas about micropayments are particularly new, it's quite readable. So I'll give The Guardian some daps for this, and some daps for a series they did on Roanoke, Virginia back during the 2008 Presidential Election (Roanoke is my other obsession).

Also noted briefly this week, The Wire's music producer resurfaces at his excellent blog, Ten Thousand Things. Blake Leyh hits us with a preview of what "Treme" might sound like by covering one of the all time greatest Nawlins tunes, St. James Infirmary. Treme is Simon's next project based on post-Katrina musicians in New Orleans. New British fans of The Wire will come to love Leyh's choice of diegetic music (all music in The Wire comes from sources located in the scene, except for the season ending montages). As a composer, Leyh succeeds wildly with the closing credits music which still echoes in my head. The posted version of St. James Infirmary is equally baaad. A tune that's so slow, yet burns so hot.


Photo courtesy of H-Bomb on Flickr (CC)

"Real Thugz" Make a Return!

The Wire is long over, but Sudhir Venkatesh has brought back his sounding board from the streets (as opposed to The Street) to take on the current economic crisis via open letters to Treasury Secretary Geithner. For those that missed it, Venkatesh wrote several great books on his experiences shadowing a drug dealer and gang leader in Chicago's public housing projects. Venkatesh now resides in NYC and has come to know several former members of that city's august underground. He watched the fifth season of The Wire with "The Thugz" as they liked to go by, and reported their reactions in the freakonomics blog. I would often bounce some reactions to these blog posts on my blog.

The first open letter suggests that the problem of the Treasury was not letting the losers lose. Apparently, capitalism is fun because we get to watch economic losers crash and burn in a public forum. By making every bank, good and bad, take TARP money, the treasury broke the first rule of the streets, "losers must die in full view." Maybe a little harsh, but then, so is the streets.

The second open letter is much more interesting. In this letter, the thugz argue that the folks still around now are "the killers" and they are worth keeping around for when the times get good again. Those that are a dime a dozen, have already jumped ship so the bonuses are only going to the most important people to keeping the business afloat.

So this is the Hip Hop Party that Michael Steele keeps trying to reach out to... It's going to be off the hook.

New Ed Burns Interview

There's a fantastic and lengthy Ed Burns interview up at the British-based lovefilm.com. Incidentally, The Wire is now on the BBC. Burns discusses Generation Kill, The Wire, and even divulges that he's submitted a movie proposal to HBO called "Jakarta." His pitch: "The Wire is today, Jakarta is tomorrow." Go on...

The more reticent of the Burns-Simon creative team, Burns has done fewer interviews than David Simon, but has a lot of great information on the philosophy and work behind the shows. Ed Burns essentially "lived" The Wire's Cops-Drug World, Baltimore Schools, and Generation Kill's soldiering while Simon was the more creative voice. Definitely a great team. Burns even discusses my favorite Wire theme- The Wire as urban anti-western. Burns' take on GK is equally enlightening. I really need to read Evan Wright's book.

My favorite one-liner take on President Obama's love for Omar:

LF: Going back to Obama, he said that Omar was his favourite TV character…

EB: Well, I think he said it and then, realising what he said, he backed away from that. As If they thought he were a homosexual black stick-up guy. [Laughs]

[Note the sweet British-ized British-ised spelling]

Birthday Post

This blog has officially been around for over a year (Happy February 7th). It garnered nearly a thousand visitors and about 1300 page views according to Google Analytics (it was probably a few more than that, but I didn't start tracking visitors until 2 weeks after I started posting).

All in all, I'm pleased with the traffic I received and the level of my posts. I still maintain that I'll finish reviewing all the episodes, but it won't be today. I keep running into people in the real world who are just getting into the show via DVD (which is the superior way to watch the show), so that proves people are still interested in Wire related content. Other countries are just getting The Wire on TV including most recently the UK, France, and Canada. Actors from the Wire are all over television and movies, and with David Simon's Treme finishing up, there's plenty of fodder for Bubbles Depo to mill. Stay tuned.

New Nickname?

Haven't posted a whole lot in awhile, but I'm convinced that my move to DC will increase the posting rate here.

Evidence no. 1: I "joined" a ultimate frisbee team here and like many flatball teams, they like giving nicknames to their players. They had been trying to nickname someone Bubbles for awhile, and when they found out that I had a blog of this name- it was set.

Evidence no. 2: My new roomates both want to get into the show which definitely means I'll be watching more. Hopefully this will also mean my episode reviewing project will also get back on the proverbial railroad tracks (to use a Wire symbol).

With the show gaining exposure in the UK and Europe generally, hopefully a new audience might find this site useful. Also- what ever happened to Treme? Stay tuned.

Life Imitates Art Folder

We've had quite a bit of life imitating art imitating life recently. First, Aaron Sorkin models his West Wing character "Josh Lymon" off of Rahm Emanuel, a political fire eater in the Clinton White House. Then the West Wing's Matt Santos (modeled off Barack Obama) "wins" the next election over "western state centrist Republican (aka John McCain)" Arnie Vinnick. Santos appoints Lymon as his Chief of Staff. Who does Obama appoint a couple years after The West Wing has been canceled? Rahm Emanuel, of course.

The Wire has spawned numerous life imitates art situations, most of which appear on the Baltimore Crime Blog. But Illinois Governor "Hot Rod" Blagojevich blatently stole from Simon's character Clay Davis today in a press conference in which he dramatically announced:

"I'm here to tell you right off the bat that I am not guilty of any criminal wrongdoing, that I intend to stay on the job, and I will fight this thing every step of the way. I will fight. I will fight. I will fight until I take my last breath."

Like the fictional Maryland Congressman, Blagojevich blamed "a political lynch mob" with all the insinuations that come with mentioning such a mob: hysteria, discrimination, and swift (in)justice without due process. Perhaps we would be more convinced if the "mob" wasn't made up of a well-respected Federal AG and the evidence wasn't a four year+ investigation, wiretap quotes, and corroborating testimony from Blago goons.

And remember Clay Davis reaching back to the past to appropriate some history and literature for his own uses. Carrying Aeschylus' Prometheus Bound into the courtroom, he explains the work by A-see-lee-us:

"It's an ancient play, of the oldest we have. It's about a simple man who was horrifically punished by the powers that be for the terrible crime of trying to bring light to the people."

Blago has his own version:

"Rudyard Kipling wrote, If you can keep your head when all about you are losing theirs and blaming it on you; if you can trust yourself when all men doubt you and make allowance for their doubting, too; if you can wait and not be tired by waiting; or being lied about, don't deal in lies; or being hated, don't give way to hating.

Now, I know there are some powerful forces arrayed against me. It's kind of lonely right now.

But I have on my side the most powerful ally there is, and it's the truth."

Give that man an Oscar. And fifteen years in the federal pokey.

Update
Via New Package:

Melissa Harris-Lacewell recommends viewing The Wire to learn more about the current crisis. Cop the last minute on the video.

The Politics of the Wire

Ta-Nehisi Coates, who rocks, has a post on whether The Wire can be viewed as a "conservative" show. He thinks that by the end it's just nihilistic, but I don't things are so bad. Repetitive yes, but nihilistic? Those are some strong words. In the words of Walter Souchek: "Nihilists! I mean, say what you like about the tenets of National Socialism, Dude, at least it's an ethos."

His post had quite a bit of discussion. Nice to see that The Wire can still generate some passion. Here's my comment:

Wow, it's great to see this much discussion on The Wire long after the end of the show (and Generation Kill). When is Simon's next project up?

I really don't think The Wire can be a blank slate on which anyone can project their own political slant. And I definitely don't think you can argue that TW is conservative at heart.

In my opinion Season 4 is the biggest argument against a conservative idea that in America, anyone who really sets their mind to it and works hard can rise to great heights. The four boys showed they had many skills to offer society, and the desire to do so, yet only one- Namond has a chance to attend college and leave West Baltimore.

Similarly, libertarians rejoiced when Bunny Colvin legalized drugs in Hamsterdam. Yet, this wasn't the freedom from government that makes up the libertarian utopia. It was merely new regulations about where people could or could not sell drugs. Nothing was utopian about Hamsterdam.

Simon attacked unions in season 2. The Democrats' longest running interest group could not stem the tide of capitalism and deindustrialization.

And don't even get Simon started on centrist politicians. Other commenters have mentioned the false hope embodied in Carcetti's New Day or the thinly disguised corrupt political machine operated by Clay Davis. Simon couldn't even muster up much vocal support for Obama in various interviews. His view on politics was that "I think it is actually a little bit overly moneyed and broken."

Nor can we say the show is leftist, though I believe that if Simon lands anywhere on the spectrum this is the place.

Ultimately, I think the show doesn't accommodate all these political views because reality accommodates all political views. Rather, the show accommodates none of these views because reality can't be seen through Republican or Democrat glasses. It's messy but beautiful, and that's The Wire's brilliance.